From Chapter 2:
It may be noted, by the way, that the gallant had no hesitation about smoking in the presence of ladies. Gostanzo, in Chapman's "All Fools," 1605, says:

And for discourse in my fair mistress's presence
I did not, as you barren gallants do,
Fill my discourses up drinking tobacco.

And in Ben Jonson's "Every Man out of his Humour," 1600, Fastidious Brisk, "a neat, spruce, affecting courtier," smokes while he talks to his mistress. A feather-headed gallant, when in the presence of ladies, often found himself, like others of his tribe of later date, gravelled for lack of matter for conversation, and the puffing of tobacco-smoke helped to occupy the pauses.

When our gallant went to the theatre he loved to occupy one of the stools at the side of the stage. There he could sit and smoke and embarrass the actors with his audible criticisms of play and players.

From Chapter 15:
The shop-bill of Richard Lee, who sold tobacco about 1730 "at Ye Golden Tobacco Roll in Panton Street near Leicester Fields," is an elaborate production. Hogarth in the earlier period of his career as an engraver engraved many shop-bills, and this particular bill is usually attributed to him, though the attribution has been disputed. There is a copy of the bill in the British Museum, and in the catalogue of the prints and drawings in the National Collection Mr. Stephens thus describes it: "It is an oblong enclosing an oval, the spandrels being occupied by leaves of the tobacco plant tied in bundles; the above title (Richard Lee at Ye Golden Tobacco Roll in Panton Street near Leicester Fields) is on a frame which encloses the oval. Within the latter the design represents the interior of a room, with ten gentlemen gathered near a round table on which is a bowl of punch; several of the gentlemen are smoking tobacco in long pipes; one of them stands up on our right and vomits; another, who is intoxicated, lies on the floor by the side of a chair; a fire of wood burns in the grate; on the wall hangs two pictures ... three men's hats hang on pegs on the wall." Altogether this is an interesting and suggestive design, but hardly in the taste likely to commend itself to present day tradesmen.

From Chapter 9:
There would appear to have been some smokers who disliked the new-fangled cigars. Angelo seems, from various passages in his "Reminiscences," to have been a smoker, and to have been very frequently in the company of smokers, yet he could write: "There are few things which, after a foreign tour, more forcibly remind us that we are again in England, than the superiority of our stage-coaches. There is something very exhilarating in being carried through the air with rapidity ... considering the rate at which stage-coaches now travel [i.e. in and just before 1830] ... a place on the box or front of a prime set-out is, indeed, a considerable treat. But alas! no human enjoyment is free from alloy. A Jew pedlar or mendicant foreigner with his cigar in his mouth, has it in his power to turn the draft of sweet air into a cup of bitterness." Perhaps Angelo's objection was more to the quality of the cigar that would be smoked by a "Jew pedlar or mendicant foreigner," than to the cigar itself. Yet, going on to describe a journey to Hastings, sitting "on the roof in front" beside an acquaintance, he says, notwithstanding the enjoyment of dashing along, anecdote and jest going merrily on, "we had the annoyance of a coxcomb perched on the box, infecting the fresh air which Heaven had sent us, with the smoke of his abominable cigar," which looks as if his real objection was to cigars, as such.

From Chapter 11:
When life was all a summer day,
And I was under twenty,
Three loves were scattered in my way—
And three at once are plenty.
Three hearts, if offered with a grace,
One thinks not of refusing.
The task in this especial case
Was only that of choosing.
I knew not which to make my pet—
My pipe, cigar, or cigarette.
- Henry S. Leigh.

The social history of smoking in later Victorian days is marked by the triumph of the cigarette. The introduction of the cigar, as we have seen, brought about the revival of smoking, from the point of view of fashion, in the early decades of the nineteenth century; and the coming of the cigarette completed what the cigar had begun.